Hans Brandenberger Stehende sich ausziehend, painted plaster, 1946

This graceful standing female figure exemplifies Hans Brandenberger's mature sculptural practice in the immediate post-war years. The composition is economical yet assured: the figure stands with arms at hips, shoulders squared, hair arranged in a classical chignon. The proportions are refined, the modeling confident. The work demonstrates the artist's deep grounding in classical figuration, even as European sculpture was beginning to turn toward abstraction.

The original plaster is of particular significance. Unlike bronze casts (which necessarily distance the viewer from the artist's hand), this is the working model itself—the form as Brandenberger conceived and executed it. The sculpture is finished with a beige painted surface that unifies the form and provides a soft, matte finish characteristic of studio plasters from this period.

According to the handwritten label affixed to the work, this sculpture was executed in 1946 and depicts a "standing woman undressing" (Stehende sich ausziehend). The label bears Brandenberger's signature and documents the work as part of his "Olisulpturenal" series. The piece stands approximately 51 cm high and is inscribed with inventory number 2003. For scholars and collectors, plaster originals offer direct access to artistic intention and process—this is the matrix from which any subsequent casts would derive, making it the primary document of the artist's vision.

Material: Painted plaster (gips), beige patinated finish